A still life is a work of art depicting mostly inanimate subject matter, typically commonplace objects which are either natural (food, flowers, dead animals, plants, rocks, shells, etc.) or man-made (drinking glasses, books, vases, jewelry, coins, pipes, etc.). With origins in the Middle Ages and Ancient Greco-Roman art, still-life painting emerged as a distinct genre and professional specialization in Western painting by the late 16th century, and has remained significant since then. In Photography too, there have been varied experiments and expressions. In the Indian context, Still Life photography has often been restricted within the domains of commercial photography. Still Lives have been a repeating subject in Abul Kalam Azad's photographic works. This image of a Naan was shot in the year 1994.

 

Naan is a leavened, oven-baked flatbread found in the cuisines mainly of Western Asia, South Asia, Indonesia, Myanmar, and the Caribbean. Naan as known today originates from Mesopotamia, ancient Egypt, and the Indian Subcontinent. The most familiar and readily available varieties of naan in Western countries are those from the Indian subcontinent.

 

 

Still Life, 1994

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  • Abul Kalam Azad is an Indian visual artist and photographer based in Kerala. His works are largely personal explorations and documentation of experiences, and memories of his native land, people, and their culture. They deal with issues of identity, ethics, micro/macro history, and eroticism. His works have exhibited Nationally/Internationally in reputed museums and galleries. He has received Charles Wallace Award in the year 1996 and recognized by the French government through a scholarship grant. He is a recipient of grants from the Government of India and India Foundation for the Arts (IFA). He is the founder of Ekalokam Trust for Photography and Editor-in-chief of PhotoMail Online magazine.

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